ISBN Barnaby Rudge

Barnaby Rudge

Charles Dickens’s first historical novel–set during the anti-Catholic riots of 1780–is an unparalleled portrayal of the terror of a rampaging mob, seen through the eyes of the individuals swept up in the chaos.
Those individuals include Emma, a Catholic, and Edward, a Protestant, whose forbidden love weaves through the heart of the story; and the simpleminded Barnaby, one of the riot leaders, whose fate is tied to a mysterious murder and whose beloved pet raven, Grip, embodies the mystical power of innocence. The story encompasses both the rarified aristocratic world and the volatile streets and nightmarish underbelly of London, which Dickens characteristically portrays in vivid, pulsating detail. But the real focus of the book is on the riots themselves, depicted with an extraordinary energy and redolent of the dangers, the mindlessness, and the possibilities–both beneficial and brutal–of the mob.
One of the lesser-known novels, Barnaby Rudge is nonetheless among the most brilliant–and most terrifying–in Dickens’s oeuvre.

(Book Jacket Status: Jacketed)
 


About author(s)
Charles Dickens was born in a little house in Landport, Portsea, England, on February 7, 1812. The second of eight children, he grew up in a family frequently beset by financial insecurity. When the family fortunes improved, Charles went back to school, after which he became an office boy, a freelance reporter, and finally an author. With Pickwick Papers (1836–37) he achieved immediate fame. In a few years he was easily the most popular and respected writer of his time. It has been estimated that one out of every ten persons in Victorian England was a Dickens reader. Oliver Twist (1837), Nicholas Nickleby (1838–39), and The Old Curiosity Shop (1840-41) were huge successes. Martin Chuzzlewit (1843–44) was less so, but Dickens followed it with his unforgettable, A Christmas Carol (1843), Bleak House (1852–53), Hard Times (1854), and Little Dorrit (1855–57), which reveal his deepening concern for the injustices of British society. A Tale of Two Cities (1859), Great Expectations (1860–61), and Our Mutual Friend (1864–65) complete his major works.