ISBN The Major Plays

The Major Plays

Anton Chekhov
The Major Plays

Ivanov * The Sea Gull * Uncle Vanya * The Three Sisters * The Cherry Orchard

“Let the things that happen onstage be just as complex and yet just as simple as they are in life,” Chekhov once declared. “For instance, people are having a meal, just having a meal, but at the same time, their happiness is being created, or their lives are being smashed up.” So it is that his plays express life through subtle construction, everyday dialogue, and an electrically charged atmosphere in which even the most casual words and actions assume great importance in his characters’ lives. This principle sets his plays apart from the rest, steering them clear of melodrama, and draws the audience into the lives of Chekhov’s colorful characters. Because of his adherence to realism, the playwright has been called an “incomparable artist of life.”*

“What makes his work great is that it can be felt and understood not only by any Russian but by anybody in the world.”—*Leo Tolstoy

With a Foreword by Robert Brustein and an Afterword by Rosamund Bartlett


About author(s)
Anton Pavlovich Chekhov (1860–1904) was a Russian playwright and short story writer who is considered to be among the greatest writers of short fiction in history. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theater. Chekhov practiced as a medical doctor throughout most of his literary career: “Medicine is my lawful wife,” he once said, “and literature is my mistress.”

Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Constantin Stanislavski’s Moscow Art Theatre, which subsequently also produced Chekhov’s Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a “theatre of mood” and a “submerged life in the text.”

Chekhov had at first written stories only for financial gain, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. 

Anton Chekhov was the author of hundreds of short stories and several plays and is regarded by many as both the greatest Russian storyteller and the father of modern drama.